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Backstage

Reviewed by Tom Penketh
Aug. 21, 2010

Backstage Review PhotoThe darkly comic "Terms of Dismemberment" is certainly a musical for today. After losing everything, including her home, a woman goes to increasingly desperate lengths to make money to keep her family afloat. Sound familiar?

Director-choreographer Hinton Battle has a lot of fun with the material. Dorothy Marcic's witty lyrics revel in the crazy scenarios, and Frank Sanchez's music is bouncy and fun. Highlights include crowd pleasers like "It Isn't Much," "Bare Arms," and especially "Give an Egg." All the performers are terrific, particularly Mecca and Poarch. But Collins' sly comic turn often steals the show. More.


NBC NewYork

See recent interview with Hinton Battle, 3-time Tony Award Winner and Director / Choreographer for Terms of Dismemberment, and watch cast members perform the opening number from the show, Queen of Pocatello!

Theater Mania

August 17, 2010
By Brian Scott Lipton

The three-time Tony Award winner discusses his new FringeNYC show Terms of Dismemberment, the new film Bolden, and reuniting on stage with former co-star Stephanie Mills.

Hinton BattleOne of Broadway's all-time great dancers, three-time Tony Award winner Hinton Battle is spending most of his time on the other side of the footlights these days. He is currently directing and choreographing Terms of Dismemberment, a new musical by Dorothy Marcic about a woman who takes drastic action in order to relieve her family's debts, as part of the New York International Fringe Festival. Battle is also developing a new musical with his old friend and former Wiz co-star Stephanie Mills, and recently finished working on the film Bolden, which is due to be released later this year. TheaterMania recently spoke to Battle about these projects.

THEATERMANIA: What made you want to work on Terms of Dismemberment?
HINTON BATTLE: I did a version of one of Dorothy's other shows, Respect, and we became great friends. So when she asked me to take a look at this show, I did. I love the title. And it has something to say -- sometimes, when you're at your wit's end, there's only one thing you can do. The economy being what it is, that kind of survival mentality is what Americans are dealing with today.

TM: Will we get to see much of your choreography?
HB: It's a lot to just get this show up without a lot of rehearsal, so my job is more about basic staging and capturing the humor of the piece than having the cast break into big dance arrangements or having dancers coming out of the floor. But it does allow for some choreography.

TM: Directors typically audition a lot of actors for Fringe shows. Do you remember your own worst audition?
HB: Yes, I remember auditioning for Michael Bennett when he was casting the first Los Angeles production of Dreamgirls. I went in for the role of Jimmy "Thunder" Early, and I forgot the lyrics of the song halfway through. And then I forgot the lyrics again -- twice -- and that third time, the entire room sang the song for me. It was one of my favorite songs -- I had done it hundreds of times -- and to this day, I am not sure what happened. It was sort of funny and devastating at the same time. Luckily, he called me later to do it on Broadway for a couple of months, and I had such a ball on that show. And I was blessed to be part of the film version.

TM: Tell me about this new project with Stephanie Mills?
HB: It's a comedy with music called Love Lies, about three women who are all engaged to marry the same guy next week and don't find out about each other until he's killed. I'm writing, directing and choreographing -- but I'm not going to be in it. I have enough to deal with. I've stayed in touch with Stephanie ever since we did The Wiz on Broadway over 35 years ago -- we also did Ragtime in Chicago and that was cool. So I wrote this show with her in mind. She has the same unbelievable voice she's always had and she looks fantastic. We're going to start in Atlanta for a week in the fall, then play a lot of small cities so we can polish it before it comes to New York. I've learned a lot by doing shows on the road.

TM: You also worked recently as the choreographer on this new film, Bolden, which stars Anthony Mackie as the legendary trumpet player Buddy Bolden. Did you know much about Buddy Bolden before the film?
HB: I never heard of the man. He was a great talent, but he had a sad life and then went mad. I loved working on the film; I got to do a lot of really great numbers and use all my vocabulary. It's a beautiful film and I can't wait until the whole world sees it.

TM: Would you consider coming back to Broadway as a performer?
HB: I would only would come back to do Broadway in a straight play. I think my dancing days there are over -- I'm not 20, and my body tells me that every day. But I've been lucky to stay in the arts and make a living. I went to real estate school at one point, and that was the worst six months of my life!

Original Article

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New York Times

August 12, 2010
by STEVEN McELROY and ERIK PIEPENBURG

Fringe Festival: The Edge, the Center and the Kitchen Sink

With almost 200 shows in more than a dozen downtown spaces, the 14th annual New York International Fringe Festival, which runs Friday through Aug. 29, is an almost-anything-goes assemblage of theatrical events...

Elena K. Holy, the festival's producing artistic director says: "...in the midst of the experimentalism that characterizes much of the festival, there are some traditional plays that should not be ignored."

MARQUEE NAMES

Hinton Battle is a respected actor, director and choreographer with three Tony Awards. So why is he directing and choreographing the tiny-budget Fringe musical "Terms of Dismemberment," about a woman who sells her daughters' body parts to pay off her dead husband's Mafia debts?

"It's really out there," he said with a laugh. "It's roughing it. But what I like is that it forces you to be creative and come up with ways to use your imagination to suggest or reinvent things. I'm meeting new talent and new actors and hungry actors that are willing to do stuff."

Mr. Battle said that working on a show backed by more enthusiasm than money reminded him of his early years in theater. What experience has provided him with, he said, is peace of mind behind the scenes.

"The great thing about doing this for so long is that you know how to do it," he said. "You know how to be creative. If it doesn't work, don't kill yourself, just make it work. That's knowledge you can't buy."

Playbill



By Adam Hetrick
12 Jul 2010

Hinton Battle to Direct Terms of Dismemberment at FringeNYC

Three-time Tony Award-winning actor Hinton Battle will direct and choreograph the new musical Terms of Dismemberment as part of the 14th annual New York International Fringe Festival.

Running Aug. 18-28 at the Lucille Lortel Theater, Terms of Dismemberment has book and lyrics by Dorothy Marcic, music by Frank Sanchez and other music and lyrics by Mehr Mansuri.

Battle (Miss Saigon, Dancin') will direct the cast of the dark comedy, which includes Julia Cook (Mamma Mia! tour), Ashley Campana (High School Musical national tour), Alex Michaels (The Hole) and Jessica Rothenberg (The Cherry Orchard at the Huntington).

According to the Fringe, "The former Princess of the Pocatello Paper Pulp Pageant finds herself with a dead, deadbeat husband, three mortgages and Mafia debts she knew nothing about. She must choose between selling off the 'assets' of her lovely daughters, body part by body part, or risk their lives. Gypsy meets the Coen Brothers in Fargo. A dark comedy about the cost of love. And an equal opportunity offender."

Terms of Dismemberment will have costume design by Cynthia Nordstrom and Ryan Rosetto and scenic design by David Arsenault.

Battle earned Tony Awards for his performances in Sophisticated Ladies, The Tap Dance Kid and Miss Saigon. He also appeared on Broadway in The Wiz, Dancin' and Chicago. He staged the Off-Broadway production of Evil Dead: The Musical.

For tickets phone (866) 468-7619 or visit FringeNYC. The Lucille Lortel Theater is located at 121 Christopher Street.

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Broadway World

Monday, July 12, 2010; Posted: 01:07 PM - by BWW News Desk

Hinton Battle Directs TERMS OF DISMEMBERMENT At NY Fringe, Opens 8/18

The 14th Annual New York International Fringe Festival presents Terms of Dismemberment A New Musical

dis-mem-ber-ment v
1. to take something apart in a way that causes it to stop working
2. to destroy something, for example, by removing essential elements

Book and Lyrics by Dorothy Marcic
Music and Musical Direction by Frank Sanchez
Other Music and Lyrics by Mehr Mansuri

Directed and choreographed by Hinton Battle

August 18th - 28th, 2010
Lucille Lortel Theater

When the former Princess of the Pocatello paper-pulp Pageant finds herself with a dead husband's Mafia debts, two teenaged daughters, and fading beauty - what does she do? - A dark comedy about how love might cost you an arm and a leg....

The 2010 New York International Fringe Festival presents Terms of Dismemberment, (www.TermsOfDismemberment.com) a new musical directed and choreographed by Hinton Battle (Three time Tony¨ Award Winner: Miss Saigon, The Tap Dance Kid, Sophisticated Ladies). Terms of Dismemberment has book and lyrics by Dorothy Marcic, music by Frank Sanchez and other music and lyrics by Mehr Mansuri. Terms of Dismemberment runs Wednesday, August 18th at 4:30pm, Thursday, August 19th at 2:00pm, Monday, August 23rd at 8:45pm, Friday, August 27th at 7:00pm, and August 2th at 2:30pm at The Lucille Lortel Theater (121 Christopher Street).
The cast features Julia Cook, Ashley Campana, Alex Michaels and Jessica Rothenberg.
Terms of Dismemberment has costume design by Cynthia Nordstrom and Ryan Rosetto and set design by David Arsenault.

"It's mad kool to be part of FringeNYC," said director Hinton Battle. "Terms of Dismemberment - Iove the concept, love being part of the creative team. It is a artistic thrilled to work with a young fresh talented cast as part of a festival that fosters such creativity."
Tickets for Terms of Dismemberment are $15 (at least 24 hours in advance) and $18 (at the door). The show plays at The Lucille Lortel Theater (121 Christopher Street) in August, 2010. Tickets can be purchased by calling 866-468-7619 or outside New York 1-888-FringeNYC.

Terms of Dismemberment runs Wednesday, August 18th at 4:30pm, Thursday, August 19th at 2:00pm, Monday, August 23rd at 8:45pm, Friday, August 27th at 7:00pm, and August 2th at 2:30pm at The Lucille Lortel Theater (121 Christopher Street).

For more information, please visit: www.TermsOfDismemberment.com or www.FringeNYC.org

Hinton Battle (Director and Choreographer) has won three Tony Awards, NAACP Award, Fred Astaire Award, Ira Aldridge Award and Choreographer Media Award. Hinton served as Associate Choreographer to the 65th and 66th Annual Academy Awards. Hinton choreography can be seen in the movie musical Idlewild, and soon to be released The Bubby Bolden Story, and Louis. As director/choreographer Off-Broadway Hinton work includes Evil Dead: The Musical, Respect, The Marvelous Wonderers, plus authored Love Lies which tour fall 2010, and slated to direct for Broadway Anne & Emmett. As an actors Mr. Battle has appeared in numerous Films and TV shows: the musical episode of Buffy the Vampire Slayer, Once more, with Feeling, These Old Broads, Foreign Student, The Golden Globe Awards, Dance in America, Dancing with the Stars, Touched By An Angel, and the Academy Awards to name a few. Hinton's Broadway credits include The Wiz, Dancin', Dreamgirls, Sophisticated Ladies, Chicago (Billy Flynn), Ragtime (Coalhouse Walker Jr.), and The Tap Dance Kid.

Dr. Dorothy Marcic (Book and Lyrics) is a professor at Columbia University and a Fulbright Scholar as well as an author of 12 books, including RESPECT: Women and Popular Music, which traces Top 40-songs with women's development in the 20th century. That book serves as the basis for her four-woman musical theater production RESPECT: The Musical Journey of Women (www.respectthemusical.com), which has played in 17 cities (including Boston, Chicago, Detroit, Tampa, Philadelphia and Sydney) with 2200 performances and 650,000 audience members. In addition to RESPECT, Dorothy has completed four other productions: The musical, Terms of Dismemberment, about a mother who sells her daughter's body parts. Another musical, What I Did for Love, and the plays, Married Plus One and Stockholm. In her early career, Dorothy served as a production assistant on the TV program, Mister Rogers' Neighborhood. She is a member of The Dramatists' Guild.

Frank Sanchez (Composer and Musical Director) has served as Music Director for numerous Long Island Productions, including: Cinderella, Sleeping Beauty, Gilbert & Sullivan's Princess Ida, South Pacific, Li'l Abner, Grease, Peter Pan, Mary Poppins, High School Musical, Annie, The World Goes 'Round: The Music of Kander and Ebb, William Finn's A New Brain, Numb, Brush Up Your Shakespeare: A Cabaret, Batboy: The Musical, and Willy Wonka and the Chocolate Factory. He also holds a BFA in Arts Management from Long Island University.

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One Producer in the City

By Michael Roderick
Finally, I am general manager for a One-woman----Just kidding! For a musical called Terms of Dismemberment - a musical with heart and other body parts. This is looking to be really fun and very dark. See the info below.

Terms of Dismemberment: A Musical with Heart...and Other Body Parts; Dr. Dorothy Productions; Writer: Book & Lyrics by Dorothy Marcic, Music by Frank Sanchez, other lyrics and music by Mehr Mansuri; Director: Director: Hinton Battle, Assistant Director: Kenneth Ferrone; Choreographer: Hinton Battle; The former Pocatello Paper-Pulp-Pageant Princess's dead husband left three mortgages, Mafia debts. Her choice: sell off daughter's "assets," body part by body part, or risk their lives. A dark comedy about the cost of love. An equal opportunity offender. 2h, NYC, Manhattan Musical, Comedy
VENUE #12: Lucille Lortel Theatre
www.termsofdismemberment.com

And there you have it! Tickets will be on sale soon, so I hope you'll come and check out the shows!

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Grace Notes

July 13, 2010

Three-time Tony Award-winning actor Hinton Battle will direct and choreograph the new musical Terms of Dismemberment as part of the 14th annual New York International Fringe Festival. Running Aug. 18-28 at the Lucille Lortel Theater, Terms of Dismemberment has book and lyrics by Dorothy Marcic, music by Frank Sanchez and other music and lyrics by Mehr Mansuri.

Battle (Miss Saigon, Dancin') will direct the cast of the dark comedy, which includes Julia Cook (Mamma Mia! tour), Ashley Campana (High School Musical national tour), Alex Michaels (The Hole) and Jessica Rothenberg (The Cherry Orchard at the Huntington).

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